Download Mobi ☆ Surf Craft Design and the Culture of Board Riding The MIT Press ↠ richard kenvin

Epub Surf Craft Design and the Culture of Board Riding

Download Mobi ☆ Surf Craft Design and the Culture of Board Riding The MIT Press ↠ richard kenvin ç ❰Read❯ ➵ Surf Craft: Design and the Culture of Board Riding (The MIT Press) Author Richard Kenvin – Goproled.co.uk Surfboards were once made Surfboards were once made of wood and shaped by hand objects of both cultural and recreational significance Today most surfboards are mass produced with fiberglass and a stew of petrochemicals moving or floating billboards for athletes and their brands emphasizing the commercial rather than the cultural Surf Craft maps this evolution examining surfboard design and craft with 150 colour images and an insightful text From the ancient Hawaiian alaia the traditional board of the common people to the unadorned boards designed with mathematical precision but built by hand by Bob Simmons to the store bought longboards popularized by the 1959 surf exploitation movie Gidget board design reflects both aesthetics and history The decline of traditional alaia board riding is not only an example of a lost art but also a metaphor for the disintegration of traditional culture after the Republic of Hawaii was overthrown and annexed in the 1890s In his text Richard Kenvin looks at the craft and design of surfboards from a historical and cultural perspective He views board design as an exemplary model of mingei or art of the people and the craft philosophy of Soetsu Yanagi Yanagi believed that a design's true beauty and purpose are revealed when it is put to its intended use In its purest form the craft of board building along with the act of surfing itself exemplifies mingei Surf Craft pays particular attention to Bob Simmons's boards which are striking examples of this kind of functional design mirroring the work of postwar modern California designers Surf Craft is published in conjunction with an exhibition at San Diego's Disappointed that this was really just a collection of photos than anything Wo

Pdf ✓ Design and the Culture of Board Riding  Richard Kenvin

Surfboards were once made of wood and shaped by hand objects of both cultural and recreational significance Today most surfboards are mass produced with fiberglass and a stew of petrochemicals moving or floating billboards for athletes and their brands emphasizing the commercial rather than the cultural Surf Craft maps this evolution examining surfboard design and craft with 150 colour images and an insightful text From the ancient Hawaiian alaia the traditional board of the common people to the unadorned boards designed with mathematical precision but built by hand by Bob Simmons to the store bought longboards popularized by the 1959 surf exploitation movie Gidget board design reflects both aesthetics and history The decline of traditional alaia board riding is not only an example of a lost art but also a metaphor for the disintegration of traditional culture after the Republic of Hawaii was overthrown and annexed in the 1890s In his text Richard Kenvin looks at the craft and design of surfboards from a historical and cultural perspective He views board design as an exemplary model of mingei or art of the people and the craft philosophy of Soetsu Yanagi Yanagi believed that a design's true beauty and purpose are revealed when it is put to its intended use In its purest form the craft of board building along with the act of surfing itself exemplifies mingei Surf Craft pays particular attention to Bob Simmons's boards which are striking examples of this kind of functional design mirroring the work of postwar modern California designers Surf Craft is published in conjunction with an exhibition at San Diego's Thanks

Richard Kenvin  The MIT Press Reader

Surf Craft Design and the Culture of Board Riding The MIT PressSurfboards were once made of wood and shaped by hand objects of both cultural and recreational significance Today most surfboards are mass produced with fiberglass and a stew of petrochemicals moving or floating billboards for athletes and their brands emphasizing the commercial rather than the cultural Surf Craft maps this evolution examining surfboard design and craft with 150 colour images and an insightful text From the ancient Hawaiian alaia the traditional board of the common people to the unadorned boards designed with mathematical precision but built by hand by Bob Simmons to the store bought longboards popularized by the 1959 surf exploitation movie Gidget board design reflects both aesthetics and history The decline of traditional alaia board riding is not only an example of a lost art but also a metaphor for the disintegration of traditional culture after the Republic of Hawaii was overthrown and annexed in the 1890s In his text Richard Kenvin looks at the craft and design of surfboards from a historical and cultural perspective He views board design as an exemplary model of mingei or art of the people and the craft philosophy of Soetsu Yanagi Yanagi believed that a design's true beauty and purpose are revealed when it is put to its intended use In its purest form the craft of board building along with the act of surfing itself exemplifies mingei Surf Craft pays particular attention to Bob Simmons's boards which are striking examples of this kind of functional design mirroring the work of postwar modern California designers Surf Craft is published in conjunction with an exhibition at San Diego's Lovely book Richard Kenvin is well know as a bit of an underground legend when